Colors in Corduroy is a four-piece turning up the volume in the local and regional rock scene. Their sound hits hard, their energy hits harder, and every show leaves an impression. Following their debut singles “Old Soul” and “Zenith”, Colors in Corduroy recorded with us a few heavy hitters to follow up.

Singer-songwriter Lui Joseph has had multiple singles mixed at Sound Farm, reaching over half a million streams. His work here often involves collaboration with Los Angeles-based producer Ted Allmen of Stagg Street Studios, bringing together warm analog production with a high end polish.

Tomorrow’s Problem is a five-piece rock band (drums, vocals, guitar, bass, and keys) that brings high-energy, melody-driven performances to every session. Their consistency and drive translate seamlessly in the studio, resulting in recordings as full as their live shows.

The Fleet Foxes stopped by Sound Farm to rehearse ahead of their High Water Festival performance in Charleston. We had the pleasure of mixing the band for a day as they dialed in their festival set. With our building’s easy access, their two semi-trucks rolled right up to the rear entry for a smooth load-in, while their touring crew settled into the comfort of the lounge.

Will and Pat Roth have been longtime collaborators at Sound Farm, racking up over a million streams from music tracked, produced, mixed, and mastered within these walls. As one of Noah’s earliest engineering projects, their work became both a testing ground and a partnership, shaping radio-ready tracks that combine the brothers’ heartfelt songwriting with our signature, high-end studio polish.

Jonny Quatro recorded his debut album Jonny Doesn’t Live Here Anymore with us in 2024 and is now working on his follow-up. Known for his vocal consistency across a diverse catalog, Jonny often collaborates with international producers on instrumentals, bringing those stems into Sound Farm for vocal production, creative elements, and finishing touches — always with our trusty Neumann U87.

Will Foulke is a multi-instrumentalist and producer who brought his home-produced demos into the studio for that final analog sheen. Together, we layered new instruments, replaced parts with professional recordings, and handled the technical heavy-lifting so he could stay fully in the creative zone, shaping demos into dynamic, finished songs.

When Food Network needs Kardea Brown’s signature narration, they dial us. In collaboration with FRANK  Productions, we’ve tracked nearly every VO segment for the series — hours of warm storytelling about Gullah traditions, Lowcountry ingredients, and family‑style Southern cooking. Each session feels like a kitchen table chat, and every polished line heads straight from our booth to prime‑time TV.

Our booth transformed into a pixelated coliseum when the Battle Kitty team patched in from L.A. to snag extra roars, quips, and victory taunts for the show’s interactive scenes. We captured every “Hi‑ya!” and comedic gasp in multiple intensity levels so the game‑engine could trigger them on demand. By wrap, the hard drive held a rainbow of kitty combat sounds — proof that fierce can also be downright adorable.

Across several punch‑and‑roll sessions, we captured fresh dialogue and melodic ad‑libs for one of the show’s main characters — matching lip‑flaps, song cues, and the series’ quick‑fire humor in real time. Our booth became a mini Broadway stage as the actor improvised runs, alternate punchlines, and crowd‑scene chatter. By session’s end we delivered frame‑accurate, mix‑ready stems that dropped straight into the Apple pipeline.

We hosted a marathon ADR session for a young cast member — traveling in with his family — to capture every replacement line for his character in one focused day. The actor powered through with total professionalism, while his family enjoyed the view from our control room. By day’s end, we had a full slate of crystal‑clean takes ready for the mix.

A Sunday‑night curveball came in when Chase Stokes’ manager phoned Noah—mid‑beach day—to lock a rush ADR session for Marked Men. Chase had just landed from Nashville after a weekend of studio hangs and still had guitar calluses to prove it. We dimmed the lights, queued the reels, and captured every last-minute pickup before midnight. Between takes Chase grabbed a six‑string, traded riffs with Noah, and the session wrapped with clean dialogue, a couple of impromptu guitar licks, and zero missed deadlines.

Across a run of summer sessions, we brought AJ Buckley into the booth to record ADR for Sonny Quinn on SEAL Team. He’d jump from battlefield grunts to tight dialogue on a dime, keeping the room easy with trail stories between takes. When pickups wrapped, we flipped to camera and cut his audition tapes for two major animated features—watching him spin new voices in real time. From tactical shouts to cartoon characters, AJ’s range made every pass fast, precise, and mix-ready.

Our booth turned into fraternity row for this dark coming‑of‑age film. Over two marathon evenings we captured chant‑filled group ADR, tense hallway whispers, and key close‑up breaths for multiple cast members — coordinating live with picture editors in Los Angeles. From Alex Wolff’s raw confessions to the ensemble’s hazing chaos, every syllable was recorded, synced, and delivered ahead of schedule, giving the mix team the texture they needed to pull viewers straight into campus life.

We welcomed Madison Bailey to record ADR for her lead role in Time Cut. Over several sessions we captured every nuance, from whispered suspense to full‑throttle screams. Between takes, Madison turned the control room into story hour — swapping Charleston adventures with her Outer Banks cast‑mates and cueing up playlists of her own unreleased tracks. By the final session we had a hard drive of spotless lines and a studio full of good vibes.

Actress Fiona Palomo stepped into our booth to voice Mary in this modern Nativity musical. Over a series of calm, detail‑oriented sessions we matched every heartfelt line to picture, capturing both spoken dialogue and delicate vocal nuances. Between takes Fiona’s warmth filled the room — chatting about life, favorite Charleston record shops, and the music that inspires her. The result: pristine ADR tracks ready to blend seamlessly with the film’s score.

Local talent David Perez drove up from Beaufort, SC to recreate high‑stakes ambulance sequences for CSI: Vegas. Siren beds pumping through the headphones, we recorded gasped lines, muffled shouts, and the strained breaths of a patient fighting for life — all perfectly timed to rolling picture. By session’s end the Las Vegas crime lab had its adrenaline spike, delivered straight from the Lowcountry.